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Elizabeth A. T. Smith
Elizabeth A. T. Smith (born 1958) is an American art historian, museum curator, writer, and presently the executive director of the Helen Frankenthaler Foundation.〔(Helen Frankenthaler Foundation )〕 She has formerly held positions as a curator at the Los Angeles Museum of Contemporary Art (MoCA), the chief curator and deputy director of programs at the Museum of Contemporary Art, Chicago, and the executive director, curatorial affairs, at the Art Gallery of Ontario. She is the author of numerous books on art and architecture,〔(Elizabeth A.T. Smith's Books )〕 including ''Blueprints for Modern Living: History and Legacy of the Case Study Houses〔(Blueprints for Modern Living: History and Legacy of the Case Study Houses )〕〔(Blueprints for Modern Living: History and Legacy of the Case Study Houses )〕''; ''Lee Bontecou: A Retrospective'',〔(Lee Bontecou: A Retrospective )〕 ''Helen Frankenthaler: Composing with Color, 1962–63'',〔(Helen Frankenthaler: Composing: Paintings 1962–1963 )〕 and many others.〔(Elizabeth A.T. Smith's Books )〕〔(Elizabeth A. T. Smith, Author )〕
==Biography==
Elizabeth Smith joined the Helen Frankenthaler Foundation as its first executive director in fall 2013.〔(Elizabeth Smith, named the first Executive Director of the New York-based Helen Frankenthaler Foundation in 2013 )〕〔(Helen Frankenthaler Foundation announces appointment of Elizabeth Smith as Executive Director )〕
Her previous position as Executive Director, Curatorial Affairs at the Art Gallery of Ontario (AGO) in Toronto was from 2010–13,〔(Elizabeth A. T. Smith, Executive Director of Curatorial Affairs, Art Gallery of Ontario )〕 and her position as Chief Curator and Deputy Director of Programs at Chicago's Museum of Contemporary Art (MCA) was from 1999 to 2009.〔(Museum of Contemporary Art Chicago Announces Departure of Elizabeth Smith )〕〔("A short note on Elizabeth Smith’s MCA departure" )〕 Prior to joining MCA, her position as Curator at The Museum of Contemporary Art (MOCA) in Los Angeles was from 1983 to 1999.
Smith's curatorial work and writings have spread extensively across many areas, including visual art, public art, and architecture from mid-20th century forward, and have continuously advanced the work of many women artists. While at AGO, Smith curated and oversaw exhibitions on the work of artists Yael Bartana〔(Yael Bartana: …And Europe Will Be Stunned )〕 and Kim Adams,〔(AGO unveils playful new works by Kim Adams )〕 as well as group shows with artists including LaToya Ruby Frazier and Erin Sherriff, and was curator-in-charge of traveling exhibitions such as ''Abstract Expressionist New York'',〔(Abstract Expressionist New York, interview with Elizabeth A. T. Smith )〕 ''Chagall and the Russian Avant-Garde'',〔(Curators Elizabeth Smith and Angela Lampe discuss ''Chagall and the Russian Avant-Garde'' )〕 and ''Picasso: Masterpieces from the Musee Picasso.''〔(''Picasso: Masterpieces from the Musée National Picasso, Paris'' )〕
As MCA's Chief Curator, Smith curated solo exhibitions of artists Jenny Holzer,〔(Jenny Holzer: PROTECT, PROTECT )〕〔(Catalogue: ''Jenny Holzer'', with essays by Elizabeth A. T. Smith and Joan Simon )〕 Lee Bontecou,〔(Essay on the exhibition, by Collette Chattopadhyay )〕 Kerry James Marshall,〔(Kerry James Marshall: One True Thing, Meditations on Black Aesthetics, curated by Elizabeth A. T. Smith )〕 Roberto Matta,〔(Matta in America: Decade of Creativity Leaves a Lasting Mark, review of exhibition curated by Elizabeth A. T. Smith )〕 Catherine Opie,〔(Description of Elizabeth A. T. Smith's project and exhibition of Catherine Opie's work, in 2006 )〕 and Donald Moffett, exhibitions on architecture such as ''Sustainable Architecture in Chicago: Works in Progress''〔(''Sustainable Architecture in Chicago: Works in Progress'', curated by Elizabeth A. T. Smith )〕 and ''Garofalo Architects: Between the Museum and the City,''〔("Garofalo Architects: Between the Museum and the City," curated by Elizabeth A. T. Smith )〕 and many presentations of MCA's collection. Smith's curatorial projects while at MOCA Los Angeles ranged from ''Blueprints for Modern Living: History and Legacy of the Case Study Houses'',〔(Video, Elizabeth A. T. Smith discussing her exhibition ''Blueprints for Modern Living: History and Legacy of the Case Study Houses'' )〕 ''The Architecture of R.M. Schindler'', named by the American section of the International Association of Art Critics as the "Best Architecture or Design Exhibition of the Year",〔(Elizabeth A. T. Smith MCA biography )〕〔(The Architecture of R.M. Schindler, organized by Elizabeth A. T. Smith )〕〔(''Schindler Drawings, Architecture Shown'' )〕〔() The architecture of R.M. Schindler〕 and ''At the End of the Century: 100 Years of Architecture'' to a survey of the Cindy Sherman's photographs〔(Press release for Cindy Sherman exhibition at Los Angeles Museum of Contemporary Art, curated by Elizabeth A. T. Smith )〕〔(''Cindy Sherman: Retrospective'', by Elizabeth A. T. Smith )〕 and the first museum presentations of then-emerging artists Uta Barth,〔(''Uta Barth Focus Series'', by Elizabeth A. T. Smith )〕 Toba Khedoori,〔(''Toba Khedoori'', with essay by Elizabeth A. T. Smith )〕 Catherine Opie,〔(''Catherine Opie'', published by The Museum of Contemporary Art, Los Angeles )〕 and Margaret Honda〔(Margaret Honda: Recto Verso, with text by Elizabeth A. T. Smith )〕 as well as a collaboration between artist Kiki Smith and architect Wolf Prix of Coop Himmelblau.〔(Focus Series exhibition ''Paradise cage, Kiki Smith and Coop Himmelb(l)au'', by Elizabeth A. T. Smith )〕
Besides her exhibition catalogues, Smith's writings have appeared in such publications as ''Do-ho Suh: Drawings'';〔(''Do Ho-Suh Drawings'' )〕 ''Chicago Makes Modern''; ''Buckminster Fuller: Starting with the Universe'';〔(''Buckminster Fuller: Starting with the Universe'' )〕 ''Design Cities 1851–2008'';〔(''Design Cities 1851–2008'', catalogue. )〕 ''Birth of the Cool'';〔(''Birth of the Cool'' )〕 and the ''54th Carnegie International''.〔(54th Carnegie International', catalogue )〕 She is the author of ''Techno Architecture'' (2000)〔(''Techno Architecture'' )〕 and books on the Los Angeles Case Study Houses (2002/2006).〔(''Case Study Houses'', by Elizabeth A. T. Smith )〕 Her most recent essay "Redefining a Practice: Helen Frankenthaler and Painting in the Early 1960s” appeared in the catalogue ''Helen Frankenthaler: Composing with Color, 1962–1963'',〔(Composing with Color: Paintings 1962–1963 )〕 co-published by Gagosian Gallery and Rizzoli International Publications in 2014. Her essay on Helen Frankenthaler's use of color, "Colour Issues," was published in the journal PUBLIC,〔(''PUBLIC – Art | Culture | Ideas'' )〕 in October 2015.
Smith received her B.A. from Barnard College and her M.A.in Art History at Columbia University in New York City. She was Adjunct Professor in the Public Art Studies〔(Art/Curatorial Practices in the Public Sphere, USC Roski School of Art and Design )〕 program of the School of Fine Arts at the University of Southern California in Los Angeles and at the School of the Art Institute of Chicago. She has received awards and honors from the Getty Foundation, the International Association of Art Critics, the ''Chicago Tribune'', and others. Smith served a six-year term on the Board of Trustees of the Graham Foundation for Advanced Studies in the Fine Arts in Chicago〔(Graham Foundation for Advanced Studies in the Fine Arts )〕 and was a 2012 Fellow of the Center for Curatorial Leadership〔(The Center for Curatorial Leadership )〕 in New York. Currently, she is a member of the Board of Trustees of the Association of Art Museum Curators (AAMC),〔(Association of Art Museum Curators )〕 where she serves as well on the association's Finance Committee.
In 2004 Smith won the "Best Monographic Museum Show Nationally" award from the Art Critics Association/USA for her exhibition ''Lee Bontecou: A Retrospective'',〔(See: Four L.A. exhibitions top critics' awards, Los Angeles Times, Dec 17, 2004 )〕 and her catalogue for the exhibition was described by the Museum of Contemporary Art, Chicago, as "one of the best-selling in the museum's history."〔( See: ''Museum of Contemporary Art, Chicago's Annual Report, July 1st 2003 – June 30, 2004''. )〕
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